
My current reading on the Civil War has taken me into Bruce Catton’s Army of the Potomac Trilogy. Last week I read part one, Mr. Lincoln’s Army. This week I started part two—The Glory Road—which begins with General Burnside’s ill-fated Fredericksburg campaign. I had literally stopped reading just short of the stone wall at the foot of Marye’s Heights when I had to put the book down and think of the tragedy to come. To wit, why would I want to continue to reading a story whose tragic ending I already knew?
Webster’s defines tragedy as “a serious drama typically describing a conflict between the protagonist and a superior force (as destiny) and having a sorrowful or disastrous conclusion that elicits pity or terror.” In short, tragedy is an art form whose audience derives pleasure from the suffering of its hero. Crass though it may sound, I truly do derive pleasure from the sufferings of who I consider the Civil War’s tragic hero—the Army of the Potomac. The pleasure derived is not because of some schadenfreude on my part. Rather, I believe the pleasure results from a desire to understand the dynamic of an army whose courage and sacrifice were unequal to its leadership for most of its short existence.
The boys of 1861 who answered the nation’s call for volunteers to enlist for “three days or the duration of the war” formed the core of the Army of the Potomac. And it was this band which endured privations I can only imagine 150 years later with the help of their florid descriptions. The Iron Brigade lost almost thirty percent of its manpower to death and illness before its baptism of fire at Second Manassas. At Gettysburg—less than a year later—the brigade sustained over sixty percent casualties. Such losses are unimaginable today. Yet, this army weathered such losses as they would any other storm on a regular basis without fail.
If, prior to becoming a reenactor, one asked me to list military organizations I truly revered I probably would have listed the Continental Army or the Eighth Air Force. Both achieved victory despite the heavy odds stacked against them. But after one short season of reenacting I have come to see the men of the Army of the Potomac in an entirely new light. The simple act of wearing their uniform, carrying their equipment, firing their weapons, and living as much like them as possible has formed a tangible link to men who previously existed to me only in print, engravings, and sepia-toned photographs.
First Manassas, the Peninsula, Second Manassas, Antietam, Fredericksburg—all began with such high hopes only to end far short of ultimate victory with great loss of life. They are tragedies within an American tragedy—but in my mind I sometimes like to think it is only 11 a.m. The fog has been swept away revealing the Army of the Potomac drawn up in neat, orderly lines along the too wide plain between the stone wall and Fredericksburg. The steel on their rifles gleams in the sun and twinkles of light here and there mark the glistening bayonet points. The officers have affected their best, most disinterested pose as if the pending assault were nothing more than morning parade while the surgeons sit idly by with nothing to do. And to borrow a little more from William Faulkner, maybe this time the men will carry the wall and the flags will sweep over the heights on their way to Richmond….